I’ve come to learn a dozen things about myself in this last month since landing in Viet Nam. Some things personal, some thing superficial, others intellectual and emotional, and even a few things practical.
Writing-wise, I now publicly confess that for the majority of the time since landing (and even a week or two before, as the excitement for the flight grew) was not spent putting down prose. Quite a bit has been dedicated to travelogue’ing, sure, and as important as that is, my fiction has lacked.
I haven’t had a short story idea in months. And we’re approaching the Writers of the Future 4th Quarter of 2014!
My novel project has slowed as well, and I tell myself (and my writing peers) that it’s mostly on account of life simply being too damned interesting to fantasize. That is a falsehood, though. It’s been laziness as well.
But I found a solution.
As a creature of habit and routine – most humans are, in fact, whether they know it or not – a daily or weekly plan often helps with keeping organized. This is no secret, but still I’ve come to understand that my ideal working environment may, in fact, not be at home.
Viet Nam has, among other things, cafes in abundance. With sweet, potent iced coffee readily available for $1 a cup, one finds it difficult to refrain from drinking too much. Two is usually enough before I have to run to the bathroom squealing. But the cafes themselves make for excellent work environments.
For one thing, there’s the (iced) coffee, which is refreshing in the heat, tasty in the sweet, and caffiene is good for every writing feat.
But there is something uniquely special about going to a place away from home with the specific goal of working. It works just as well as dedicated writing time, except for me (and many other people, I’ve read), a change of environment is generally conducive to creativity anyway. I’ve known artists in New York City who rent out studios, no doubt because working at home is out of the question due to space issues, but I wager there’s something in common here. There’s a psychological script at play when coming to a dedicate workspace:
“I came here to work, so I better make use of the time.”
This, of course, is the mental dialog of the occasionally lazy yet anxious mind of yours truly.
Turning off the WiFi connection helps, and is recommended – I don’t have a VPN setup (yet), and it’s generally considered a less-than-safe-thing to connect your laptop to any public network anyway. Phones and tablets are usually more secure on account of them being built for said purpose, but one cannot used Scrivener on a phone or tablet. The willful lacking of an internet connection naturally eliminates – or at least reduces – distraction; at least the self-induced variety.
Having strangers approach me, the only Westerner to ever set foot in that cafe (probably ever), and engage me in conversation tends to happen from time to time. It is a fun distraction, since through this method I’ve met a banker, a chemist, and a technical engineer. Combined, their English skills make for only the most basic of conversations feasible, and I recall one instance (with the engineer), where it took about an hour to express why he disliked the French and why he liked Americans. The short answer is because he reads history. But, after defacing my notebook with dozens of notes and sentence fragments from each of us to illustrate our points, I found myself being told of a history lesson regarding things I already knew.
Still, I admire folks whose practical ability of English is severely limited, yet they work up the courage to approach me anyway. Most simply don’t, or can’t.
Yet in spite of distractions such as this, one finds focus more thoroughly attained in a cafe than at home. Worse case scenario, I don my over-ear headphones and turn up the volume – headphones, I believe, are a universal cue for “Do not disturb.” Multiple soundtracks later I will have found thousands of words (of prose!) written.
Raw creative prose is among the most difficult things to write for me. Writing this blog post, for instance, is something quite different – it’s more a stream of consciousness, thoughts-put-on-paper kind of process. Weaving worlds and character interactions is something quite different, and I am overjoyed to find a small niche.
And, with cafes found every couple of shops apart – no really, they’re everywhere, my home is within walking distance of six or seven on one street alone – I have taken to taking my work with me to a variety of different places. It is as much an adventure exploring the stores and cafes as it is hopping on a motorbike and taking off in a random direction for an hour or two.
I’ve even found inspiration in the most unlikely of ways; in one cafe they had very low tables, and even lower chairs with simple cushions. I promptly fell in love with the furniture, and knowing the extent of my own skills, I paid thorough attention to their make, and decided I could make the chairs and tables myself. Perhaps there will be a post about that as well, as I have plans to construct (among other things) a garden, a bed frame, numerous shelves, and now, chairs and tables. With such ready access to cafés, and the reasons listed and unlisted for why I seem to be more productive in them than at home, one comes to question their prior aspirations of even bothering with home office furnishings.
Funny how this writing blog has (de?)evolved into ramblings about furniture.
Happy writing, dear readers.
Today’s track is a calm, nifty beat from an old favorite soundtrack of mine: K-Pax, by Edward Shearmur. It doesn’t take much for me to sit down and pay attention when the name Kevin Spacey is mentioned, but the movie itself I found to be strange and eccentric enough to keep in my memory well into a decade after first seeing it. The music, listened to countless times, has a very dreamy quality to it.
There very well could be my own personal attachment to it – i.e., enjoying the movie therefore hearing the tracks remind me of fun moments and good feelings – but on its own the soundtrack truly is unique. One could easily fall asleep to this and drift to another world.